![]() ![]() Requires phantom power.Īudio-Technica AT4047 Condenser Microphone Features: Audio-Technica includes a protective case and AT8449/SV shock mount with the AT4047 microphone. It sports a vintage silver-matte finish on the microphone and shock mount. The AT4047 mic has exceptionally low self-noise, wide dynamic range and high SPL capability. Transformer-coupled output and a specially tuned element provide sonic characteristics reminiscent of early FET studio mic designs. The Audio-Technics AT4047 Condenser Microphone is designed for professional recording and critical applications in broadcast and live sound. Turns out this is an Audio-Technica AT4047 Condenser Microphone, with following features: I had seen this microphone on Angus’ and Malcolm’s cabinets: I started a month ago studying some AC/DC images – recent ones – from a live show. ![]() I have a Neumann U47, but it needs repair, as it’s not working (and I’m bringing it to the shop on Monday). It’s hard to describe and no, I don’t have a video/audio for you yet.Īs a completion to this project – you know how serious I am about this – I have investigated a bit on a good guitar microphone recently. Whatever you do, whatever note you play, however you play it (soft, hard, biting, … ) sounds godly. Do you remember when I was saying that gear has to sound good and make your life as a guitar player easier? If you followed me reading so far: I am in heaven. The three or four SGs I tried into it were almost playing by themselves. There is a super attack that will support you/help you. This amplifier brought me back – partly – to when I was playing my 100 watts 1969 Super Lead (i.e., a 1959 model from 1969 I used to own). Softer than I used to keep my 1987XL when was doing the tutorials thing back then (do you remember?). Naturally, since i played it in my “laboratory”, I set the volume (the attenuator) at an extremely reasonable level. This was instant Back in Black (the album). Recently retubed with a matched quad of JJ E34L and five NOS Sovtek 12AX7WA preamp tubes. Lee’s signature and work completion date (smeared by control cleaners) are on the inside corner of the chassis, near the effects loop circuit (see third photo). This Marshall is in exceptional condition for its age and features all original Drake Transformers, and the complete Metaltronix Mod with Master Volumes 1 (front) and 2 (backside, also has a push-pull switch which allows it to serves as a power attenuator), 6-position Mid Frequency selector to morph the tonal characteristic from beefy blues to metal, and tube-buffered effects loop with Send and Return levels (the Return control is a push-pull switch, allowing you to engage the effects loop or bypass it to go straight onto Master (1) on the front). ![]() Now keep in mind this amplifier has been modified: let me give you – directly from the eBay auction I got it off – what the seller stated: My wife saw me and she understood right away something different was in the air. I am extremely, extremely excited and I am having a hard time to stay calm. Well folks, my quest for AC/DC tone from the mid to late 70s to early ’80s might have ended today: this amplifier is the best thing I ever connected into.ĭo I sound exaggerated? I apologize. A voice inside of me, after playing it, said “ Thou shall not know any other after this” So please be patient – you that have followed me so far: THIS is THE Marshall for me. No problem, I constructed a quick fuse and stuck it in. I blew a fuse the moment I turned it on, because the voltage (mains) selector was probably disabled when the amp was modded. I quickly and swiftly hooked it to one of the two cabs I have now, the reissue non slanted cabinet with vintage 30s inside. The “Destiny” wanted that the first of the two JMPs I bought the other day to arrive was the the 100 watts. So, it has arrived (for the record, this is a 1979 Marshall JMP 100w Lead). (please note: this post is a follow up from a previous research: Angus Young’s Marshall Amplifier(s) & the “Back in Black Tone Project” )ĮDITED: Members ROCKER and Sgace have helped me determine that this amp was NOT a super lead (NON master volume) but it was born as a Master Volume since its beginning.
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